Rooted in the experience of global diaspora, AlZaben’s practice emerges from a state of liminality — the threshold between worlds. Within this condition, divisions of land and identity dissolve, revealing the Earth itself as the primary source of compassion and connection.
Influenced by Edward Said’s concept of exile consciousness and the depth psychology of Carl Jung, her paintings translate absence into presence. Each canvas becomes a meditation on duality — the peace of ancestral memory in dialogue with the tension of resistance — rendered through rich, tectonic layers of pigment and gesture.
This process of existential labor transforms conflict into unity. Through abstraction, AlZaben constructs spaces where opposing forces coexist and ultimately converge, affirming that fracture and harmony are not contradictions but reflections of a single whole.